A “new” lattice

And I am still very very slow to update here…but trust me, working from home with two little girls in my hair can be quite difficult.  I already had a number of customers pulling out and many are losing their patience. But for the record i am alive and doing whatever I can to catch up.

 

So, this is a German spruce lattice started in last year and finished this spring with Indian body, elevated neck, Madagascar rosewood bridge and armrest, mahogany neck with ebony FB.

 

And a raw recording (no varnish) with carbon strings:

First elevated neck

My first elevated neck guitar!  While it doesn’t seem to make a tremendous difference in playability (at least for my hands/skill) there are several constructive aspects that make me wish I had started doing it sooner.

Red cedar soundboard, lattice braced, muninga bridge
Indian rosewood body and headplate, mahogany binding
Spanish cedar neck with African blackwood fingerboard, Gotoh premium tuners.

Recording is made with just a shellac seal coat on the soundboard, fresh uncured nitro back and sides, carbon strings (fresh as well thus going out of tune)

 

A pair of 8-string guitars

 

A pair of twin 8 string guitars I started late last year but took a long time to finish as I tried to learn how to apply nitrocellulose lacquer.  Besides these I also recently finished another two and now I am confident to offer it as standard finish for the back, sides and neck.  The soundboards will continue to be french polished.

-lattice braced cedar soundboard, Brazilian rosewood bridge.
-intense purple Indian rosewood body and headplate
-Cedro and wenge neck with Amazon rosewood fingerboard.

They are for a very musical (and dear to me) Romanian duo and I hope to post a video as soon as they acquaint themselves with the instruments.

Edit: two live clips fished on YT after the photos.

 

Lattice-braced Swiss spruce / Amazon rosewood

-lattice braced 3-piece Swiss spruce soundboard
-Brazilian rosewood bridge
-Amazon rosewood back and sides
-cedro neck with Indian rosewood headplate, ebony fingerboard
-Indian rosewood binding

Raw recording made before french polishing:

Lattice braced Carpathian spruce Bubinga

-lattice braced Carpathian spruce
-padauk bridge
-bubinga back and sides
-V-joint cedro neck with Amazon rowsewood fingerboard and Gotoh tuners
-maple binding

Bubinga is an African tonewood becoming more used in the recent years, although more so on steel string guitars. It is very hard and dense, above typical rosewoods, with a dry, woody taptone. The tone is clean and direct, reminding me of both maple and ebony. I am pleased with how it turned out and obtained several high grade sets.

Lattice braced Swiss spruce – Honduras rosewood

Swiss spruce soundboard, lattice bracing
Honduras rosewood body, Madagascar rosewood bridge and headplate, Indian rosewood binding
African blackwood fingerboard, cedro neck
Gilbert tuners.

Soundclips in raw state before french polishing, Savarez strings. With polish and d’addario strings, I found deep basses with tight, clear and sustaining trebles (reminiscent of my Bouchet model) and a quite balanced and refined presentation.


Cedar Rosewood lattice braced

Cedar soundboard, lattice bracing
Indian rosewood body, bridge, binding, back headplate
Ebony headplate and fingerboard, V-joint cedro neck
Scheller tuners.

Soundclip in raw state before french polishing, Savarez strings.