Swiss spruce Indian rosewood lattice

Swiss spruce soundboard, lattice bracing
Indian rosewood body
Brazilian rosewood bridge, African Blackwood fingerboard and headplate
Spanish cedar neck, Baljak tuners.

Hannabach Goldin strings used for the recordings.

 

 

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Fan braced Austrian spruce – Romanian maple

Traditional bracing, Austrian spruce soundboard with Romanian maple body
Brazilian rosewood bridge, African Blackwood fingerboard and headplate
Spanish cedar neck, Gotoh Deluxe tuners.

 

I’m very happy with the sound of this guitar.  Sweet and transparent tone, with a deep bass and fat trebles when asked for.  It also seems quite microphone-friendly.

Raw recordings before french polishing:

Spruce – Madagascar rosewood

-European spruce soundboard, Hauser I inspired construction
-Madagascar rosewood bridge, back and sides
-Very old African mahogany neck with African blackwood headplate and fingerboard, Gotoh Premium tuners.

 

Raw recordings made before french polishing. The guitar has an old-world dark type of sound, fat trebles with excellent headroom and projection.

 

Lattice-braced Swiss spruce / Amazon rosewood

-lattice braced 3-piece Swiss spruce soundboard
-Brazilian rosewood bridge
-Amazon rosewood back and sides
-cedro neck with Indian rosewood headplate, ebony fingerboard
-Indian rosewood binding

Raw recording made before french polishing:

Lattice braced Carpathian spruce Bubinga

-lattice braced Carpathian spruce
-padauk bridge
-bubinga back and sides
-V-joint cedro neck with Amazon rowsewood fingerboard and Gotoh tuners
-maple binding

Bubinga is an African tonewood becoming more used in the recent years, although more so on steel string guitars. It is very hard and dense, above typical rosewoods, with a dry, woody taptone. The tone is clean and direct, reminding me of both maple and ebony. I am pleased with how it turned out and obtained several high grade sets.

fan braced Lutz spruce / Indian rosewood

-Lutz spruce soundboard with the latest version of my own fan bracing I’ve been tweaking in the past couple of years. Nothing revolutionary, just a few subtle changes (ideas used by other makers too) to improve the sustain of the standard Torres or Hauser models and also close the gap a bit towards my wood lattices. I am thrilled with the trebles on this one: strong, responsive, clear yet sweet and rich. Just listen listen to the Barrios from 1:40 to 2:40! (or the Rodrigo introduction)

-spectacular extremely dark and tight deep purple Indian rosewood.

-mahogany neck with Brazilian rosewood spine, Madagascar rw headplate, Brazilian rosewood bridge

-African blackwood fingerboard, Klaus Scheller tuners.

Final sound with Savarez new cristal nylon strings:

Raw wood soundclip with carbon strings:

7-strings Brazilian Rw Italian spruce flamenco negra

Italian spruce soundboard flamenco negra with 7-strings, 650mm scale.
60 years old Brazilian rosewood body, fingerboard, bridge, neck spine and headplate. The back is made from 7 pieces and the sides from 6.
Spanish cedar neck, Baljak tuners.

Classical mode recording made with d’Addario normal tension strings.  In flamenco mode unfortunately I only have a phone recording made on the bare wood guitar.