-red cedar soundboard with modified Bouchet bracing
-Madagascar rosewood bridge, back and sides
-Very old African mahogany neck with African blackwood headplate and fingerboard, Gotoh Premium tuners.
Raw recordings made before french polishing:
And a couple recent videos:
Recently I’ve been approached by a young photographer, Alin Nicolae Purcaroiu. He was interested in interviewing and shooting craftsmen, a species seemingly facing extinction in this place and time. We had a pleasant nice chat and I got myself a nice set of photos…
Showing off some exciting recent additions to my wood stock.
-2 sets of very dark and tight Amazon rosewood. It is the first time I see this variety (99% of it seems to be the lighter, reddish sort). Under finish it will make a gorgeous dark, almost black chocolate.
-a set of straight grain, quartered ziricote, something increasingly difficult to find these days. The tap tone is better than I expected, not Brazilian rosewood-metallic but still sustaining. I imagine the sound should be a bit like Indian rosewood.
-3 sets of fantastic bubinga, deep dark red and perfectly quartered, full of silk end to end. This tree must have had a humongous (and very regular) diameter.
-lattice braced 3-piece Swiss spruce soundboard
-Brazilian rosewood bridge
-Amazon rosewood back and sides
-cedro neck with Indian rosewood headplate, ebony fingerboard
-Indian rosewood binding
Raw recording made before french polishing:
-lattice braced Carpathian spruce
-bubinga back and sides
-V-joint cedro neck with Amazon rowsewood fingerboard and Gotoh tuners
Bubinga is an African tonewood becoming more used in the recent years, although more so on steel string guitars. It is very hard and dense, above typical rosewoods, with a dry, woody taptone. The tone is clean and direct, reminding me of both maple and ebony. I am pleased with how it turned out and obtained several high grade sets.
-Lutz spruce soundboard with the latest version of my own fan bracing I’ve been tweaking in the past couple of years. Nothing revolutionary, just a few subtle changes (ideas used by other makers too) to improve the sustain of the standard Torres or Hauser models and also close the gap a bit towards my wood lattices. I am thrilled with the trebles on this one: strong, responsive, clear yet sweet and rich. Just listen listen to the Barrios from 1:40 to 2:40! (or the Rodrigo introduction)
-spectacular extremely dark and tight deep purple Indian rosewood.
-mahogany neck with Brazilian rosewood spine, Madagascar rw headplate, Brazilian rosewood bridge
-African blackwood fingerboard, Klaus Scheller tuners.
Final sound with Savarez new cristal nylon strings:
Raw wood soundclip with carbon strings:
Italian spruce soundboard flamenco negra with 7-strings, 650mm scale.
60 years old Brazilian rosewood body, fingerboard, bridge, neck spine and headplate. The back is made from 7 pieces and the sides from 6.
Spanish cedar neck, Baljak tuners.
Classical mode recording made with d’Addario normal tension strings. In flamenco mode unfortunately I only have a phone recording made on the bare wood guitar.