Traditional bracing, Austrian spruce soundboard with Romanian maple body
Brazilian rosewood bridge, African Blackwood fingerboard and headplate
Spanish cedar neck, Gotoh Deluxe tuners.
I’m very happy with the sound of this guitar. Sweet and transparent tone, with a deep bass and fat trebles when asked for. It also seems quite microphone-friendly.
Raw recordings before french polishing:
Red cedar soundboard braced in a new pattern that resembles Friederich.
Indian rosewood body, binding, headplate and Brazilian rosewood bridge
Spanish cedar neck with ebony fingerboard.
Raw recording made before french polishing. The guitar has a deep bass with focused trebles, a type of cross between a traditional fan sound and Bouchet.
-red cedar soundboard with modified Bouchet bracing
-Madagascar rosewood bridge, back and sides
-Very old African mahogany neck with African blackwood headplate and fingerboard, Gotoh Premium tuners.
Raw recordings made before french polishing:
And a couple recent videos:
Showing off some exciting recent additions to my wood stock.
-2 sets of very dark and tight Amazon rosewood. It is the first time I see this variety (99% of it seems to be the lighter, reddish sort). Under finish it will make a gorgeous dark, almost black chocolate.
-a set of straight grain, quartered ziricote, something increasingly difficult to find these days. The tap tone is better than I expected, not Brazilian rosewood-metallic but still sustaining. I imagine the sound should be a bit like Indian rosewood.
-3 sets of fantastic bubinga, deep dark red and perfectly quartered, full of silk end to end. This tree must have had a humongous (and very regular) diameter.
-lattice braced 3-piece Swiss spruce soundboard
-Brazilian rosewood bridge
-Amazon rosewood back and sides
-cedro neck with Indian rosewood headplate, ebony fingerboard
-Indian rosewood binding
Raw recording made before french polishing: