Lattice braced Swiss spruce – Honduras rosewood

Swiss spruce soundboard, lattice bracing
Honduras rosewood body, Madagascar rosewood bridge and headplate, Indian rosewood binding
African blackwood fingerboard, cedro neck
Gilbert tuners.

Soundclips in raw state before french polishing, Savarez strings. With polish and d’addario strings, I found deep basses with tight, clear and sustaining trebles (reminiscent of my Bouchet model) and a quite balanced and refined presentation.


Cedar Rosewood lattice braced

Cedar soundboard, lattice bracing
Indian rosewood body, bridge, binding, back headplate
Ebony headplate and fingerboard, V-joint cedro neck
Scheller tuners.

Soundclip in raw state before french polishing, Savarez strings.

Cedar – “the tree” mahogany with rosewood neck

This is a special guitar which I made for myself. It happened that last year the number of builds caught up with my age – 34.
The (fan-braced) soundboard is the best I have handled so far, rivaling a double top.   According to the seller it came from a reclaimed dead tree from the Vancouver area.
-back, sides, headplate and rosette of highly figured Honduras mahogany,  the famous “the tree” cut in 1965.
-neck and bridge of 60 yo Brazilian rosewood
-fingerboard and back strip of bois-de-rose Madagascar rosewood, Indian rw binding.
-Gilbert tuners

Recently the guitar passed to an incredible guitarist I met, Cristian Gramesc from Salzburg.
Soundclips: pieces by Tedesco, Regondi and Brouwer, Savarez strings.

Hommage à Romanillos Flamenco blanca

Flamenco blanca, Austrian spruce soundboard and Spanish cypress body.
Jose Romanillos inspired decoration, whom I greatly admire as both luthier and person
small Spanish plantilla, 650mm scale
Cedro neck, V-joint, head plated with Amazon rosewood and bird’s eye maple
“Bois de Rose” Madagascar rosewood fingerboard
rosette background is bois de rose, “the tree” mahogany and 100yo Cuban mahogany; arches side grain flamed maple
hand-made herringbone purfling, all natural colors from more than 10 different species of wood
Brazilian rosewood bridge.

A few soundclips recorded by a classical player not being able to get a flamenco player in a short notice are linked below the photos. Guitar is absolutely asleep being strung for just 1 hour. D’addario EXP46 strings.

Cedar / IRW lattice

-red cedar top, lattice bracing, 650mm scale, Madagascar rosewood rosette
-Indian rosewood body with soundport
-Spanish cedar neck with Honduras mahogany head and Macassar ebony fingerboard
-Brazilian rosewood bridge, Indian rw headplate and maple binding.

French polished clips (soundport closed), Savarez carbon strings:




Raw wood clip (soundport closed), Savarez carbon strings:


Cedar / Indian rosewood Lattice braced

-red cedar top, lattice bracing, 650mm scale
-Indian rosewood body
-Spanish cedar neck with African ebony fingerboard
-Madagascar rosewood bridge, Indian rw headplate and binding.

Raw soundclip recorded without varnish, nylon strings:

French polished clip, Savarez carbon strings:


Spruce / Indian RW fan braced

-Italian bearclaw spruce top, fan bracing, 650mm scale
-Indian rosewood body
-Spanish cedar neck with African Blackwood fingerboard
-Madagascar rosewood bridge, Indian rw headplate and binding.

Raw soundclips recorded without varnish, nylon strings: